Biography

What the picture states is the proposition of the scenes: a body offered frontally, without props or costume, in a room that looks inhabited. That is the grammar of this end of the business. The setup is a sofa, the light is a lamp, the camera stays close, and the performer has to hold the frame by presence rather than by dialogue. It is a harder job than it looks, because there is nothing to hide behind: no character, no plot, no cutaway. The face has to work at thumbnail size, which is the size at which a profile is usually met.

This page reads the two things the record gives: a billing and a photograph. The billing needs no variant, and the photograph states the proposition without a caption. A profile in this format is a set of coordinates, and the ones that matter are the name, the section, the country and the image. The rest is left to the scenes, which are the only place the argument can be settled. Anyone who wants more can follow the profile and judge them there. This page is independent, published in six languages, and does not claim to be her official site.